The politics of longevity and the need for global action against evil ageism are much discussed on The Big Middle. Across the life course of my podcast - eight months and counting -- the big issues of the longevity revolution are examined by some of the smartest thinkers around.
This time, we’re going deep into a literary art form I guarantee will excite your imagination and soothe your midlife soul.
We’re exploring the power and beauty of poetry about ageing.
Poetry was never a feature of my life in broadcast news. I’m appreciating it anew thanks to my guest, an intrepid explorer of poetry, people and nature - an aesthete of many layers.
Adrian Juric joins me from his base in Kelowna, the gateway to the Okanagan Valley of British Columbia, western Canada.
Beneath the Sweather and the Skin - Jeannette Encinias
How many years of beauty do I have left?
she asks me.
How many more do you want?
Here. Here is 34. Here is 50.
When you are 80 years old
and your beauty rises in ways
your cells cannot even imagine now
and your wild bones grow luminous and
ripe, having carried the weight
of a passionate life.
When your hair is aflame
and you have decades of
learning and leaving and loving
the corners of your eyes
and your children come home
to find their own history
in your face.
When you know what it feels like to fail
and have gained the
to rise and rise and rise again.
When you can make your tea
on a quiet and ridiculously lonely afternoon
and still have a song in your heart
Queen owl wings beating
beneath the cotton of your sweater.
Because your beauty began there
beneath the sweater and the skin,
This is when I will take you
into my arms and coo
YOU BRAVE AND GLORIOUS THING
you’ve come so far.
I see you.
Your beauty is breathtaking.
Messenger - Mary Oliver
My work is loving the world.
Here the sunflowers, there the hummingbird —
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,
which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.
Weathering - Fleur Adcock
Literally thin-skinned, I suppose, my face
catches the wind off the snow-line and flushes
with a flush that will never wholly settle. Well:
that was a metropolitan vanity, wanting to look young for ever, to pass.
I was never a pre-Raphaelite beauty
nor anything but pretty enough to satisfy
men who need to be seen with passable women.
But now that I am in love with a place
which doesn’t care how I look, or if I’m happy,
happy is how I look, and that’s all.
My hair will grow grey in any case,
my nails chip and flake, my waist thicken,
and the years work all their usual changes.
If my face is to be weather-beaten as well
that’s little enough lost, a fair bargain
for a year among the lakes and fells, when simply
to look out of my window at the high pass
makes me indifferent to mirrors and to what
my soul may wear over its new complexion.
Love after Love - Derek Walcott
The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
Sailing to Byzantium, start of second verse - W.B. Yeats
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
Wild Geese, first lines - Mary Oliver
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
- Adrian Juric's website
- Adrian's film gallery
- Beneath the Sweather and theh Skin: Jeanette Encinias
- Brainpickings for recording of Fleur Adcock's Weathering, read by Adcock in a recording from 2007 film "In Person: 30 Poets" by artist and editor Pamela Robertson-Pearce
- Beneath the Sweater and the Skin: Jeanette Encinias
- Mary Oliver, Derek Walcott, W.B. Yeats poems from the poetry sharing forum Poeticous